In the absence of real-life watch fairs in 2020, with their greetings and handshakes, laughter and controversy, we invite you to browse through our Print (…)

In the absence of real-life watch fairs in 2020, with their greetings and handshakes, laughter and controversy, we invite you to browse through our Print (…)

In the absence of real-life watch fairs in 2020, with their greetings and handshakes, laughter and controversy, we invite you to browse through our Print (…)

In moving from Roger Dubuis to Jaeger-LeCoultre in January 2017, Lionel Favre was also moving from a completely disruptive universe to a brand with a great (…)

Watchmaking is a physical art! In the absence of real-life watch fairs, with their greetings and handshakes, laughter and controversy, we invite you to (…)

At the height of the pandemic, when all physical events were cancelled, we asked our readers the fundamental question: what format should future watchmaking (…)

The great wave of mechanical megalomania and the exploits it offered may have passed, but the exploration goes on, whether in terms of function, display or (…)

Energy, robustness, virility, contemporaneity – arrestingly designed urban models are always big sellers and assume their role of innovation laboratory. (…)

For the past few years, watches have been exposing their mechanisms and playing with the concept of transparency. And although this year one senses the (…)

At a time when vintage is all the rage, watchmakers with a concern for architecture are proving that classicism doesn’t have to stray into nostalgia; it can (…)

Water has done so much for watchmaking. As the enemy of watches, it forced them to become watertight, pressure-resistant and legible; it obliged watchmakers (…)

A certain conformism reigns among watchmakers, who tend to follow what they see as the predominating trend of the time – which today means the great vintage (…)