ove to be different”, “overturn concepts”, “take time”… These are all precepts – or pieces of advice – that could well be applied to Trilobe’s approach to watchmaking. The Trilobe watch is proof of this. It tells the time in an unmistakeably different way. It effectively overturns concepts, because it is no longer the hands that move over fixed time markers, but time which rotates endlessly around itself. Lastly, it takes time with a pinch of salt, because absolute accuracy is not its holy Grail. While it is accurate (you can depend on the chronometric know-how of Jean-François Mojon, who designed the movement, for that), even so it takes its time. Time, indeed, is shown by three rings which rotate, each at their own pace, opposite the three “trilobes” that indicate the passage of the hours, minutes and seconds.
But these three rings, counter-intuitively, turn anticlockwise and the trilobes are deliberately out of alignment with one another, underscoring the poetic character of this timepiece and the reading of it. But reading it rapidly becomes totally intuitive, visual and sensorial. It’s a very beautiful offering, launched by Gautier Massonneau. It’s classic and, refined, with a wealth of subtle poetic, architectural and horological allusions, and also a watch absolutely in line with the times. “Between rupture and continuity” is how Gautier Massonneau sums it up. This young man has had an unusual career.
Having graduated from Paris Dauphine University with a Master’s degree in civil engineering, and worked as an international specialist in financing infrastructures, he fell under the spell of watchmaking. He radically changed direction to make the kind of watch he dreamed of, and also to give free rein to his artistic bent. And in doing so, with Trilobe he opened up a new path in fine watchmaking. The challenge of subtle innovation, offering a new means of intuitively reading time, has been convincingly met here.
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