EDITORIAL

• Watchmaking is dead, long live watchmaking

ALL EYES ON…

• With the Calibre 112, Oris is convincingly reclaiming its illustrious history (Cover page Europe ed.)
• Girard-Perregaux celebrates a fresh start (Cover page International ed.)

VINTAGEMANIA

• Vintagemania: introduction
• Tudor mines the productive seam of “reinterpretation”
• Beyer Chronometrie Zurich: “The brands are returning to their roots”
• Iconeek: “Today, everything sells”
• “Collecting vintage watches is making us more demanding”
• Chronographs for Collectors: in praise of diversity
• My own private Frankenwatch
• Vintagemania: gallery

HAUTE HORLOGERIE

• High-quality watches at hard prices?
• Quick interview with Jean-Claude Biver
• Interview with Peter Stas, Founder and CEO of Frédérique Constant

ENTRY LEVEL

• Entry-level entrepreneurs

BRAND

• Frédéric Jouvenot: the “Little Prince” of watchmakers

EUROPA STAR ARCADE

• Jacob & Co: the sky is not the limit
• ZRC resurfaces
• Pierre DeRoche setting its watches to Japanese time

WATCHPRINT BOOK SELECTION

EXCLUSIVE

• A. Lange & Söhne : The VIP Akademie, a unique watchmaking event in Switzerland

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• Shakespeare’s Time

SPOTLIGHT

• Armillion : the secret agent’s cuff

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JEWELS SPECIAL

EDITORIAL

• A feminine year - A case for elegance

COVER STORY

• EBEL, a window to elegance

BRAND SPOTLIGHTS

• CHARRIOL, “Bangelmania” and “Jewels of Time”

• ARMILLION, the contactless cuff

• WEINBECK, a graceful dance

• URSO, the treasure island

TRENDS & COLOURS

• Top of the tree: Kerdebanz, Alessio Boschi, Chanel 
• Pirates of luxury: Fiona Kruger, Urso
• Swan lake: Magerit, Boucheron, Maria Kovadi, Cartier
• Sinful serpenti: Lydia Courteille, Bulgari, Jacob & Co
• Colour me happy: Fabergé, Jacob&Co
• King of the jungle: Versace, Chanel

CONVERSATIONS

• NANIS, the perfect mistake

• ROBERTO CAPRA - GILLES ZALUYAN, a conversation with men of antiques