Archives & heritage


Becoming Chopard

EUROPA STAR ARCHIVES

Español Français
May 2023


Becoming Chopard

Chopard is one of the many “sleeping beauties” in the watch industry to have been stirred back to life, as illustrated by the Europa Star archives. This was still only a small business when, a century after its foundation in 1860 in Sonvilier, takeover by the Scheufele family marked a turning point. Through ambitious development, Chopard has since grown into a major watch and jewellery brand.

T

he modern luxury industry has its share of companies which, having almost disappeared, went on to enjoy a second lease on life. Eager to harness the legacy or skills that come with these storied names, entrepreneurs have been buying and relaunching these sleeping beauties, more or less successfully. It’s a subject that warrants greater attention from a luxury brand management perspective. Meanwhile, the Europa Star archives contain a wealth of information on this topic.

Chopard is an excellent example of these “reawakened” brands. Established in 1860 in Sonvilier, in the Bernese Jura, this family firm moved to Geneva in 1937 so as to be closer to its clientele. A small business, it struggled to remain competitive post-Second World War in an increasingly global market. The brand’s almost complete absence from the Europa Star archives prior to the early 1960s bears witness to its difficulties and weaknesses. The only mention, in 1950, is in a list of brands celebrating an anniversary – its activity and products failed to catch the magazine’s attention.

A reference to Chopard's 90th anniversary in the Bulletin d'Informations, published by Europa Star in 1950. The brand, already based in Geneva, was still only small. Other notable anniversaries are those of Audemars Piguet (75) and Nivada (25)!
A reference to Chopard’s 90th anniversary in the Bulletin d’Informations, published by Europa Star in 1950. The brand, already based in Geneva, was still only small. Other notable anniversaries are those of Audemars Piguet (75) and Nivada (25)!
©Archives Europa Star

In 1963 Chopard was bought by Karl Scheufele. A businessman, goldsmith and watchmaker from Pforzheim, Germany, he was heir to his family’s watch and jewellery company which, like others, such as Cartier, sourced its movements from third-party suppliers. However, Karl Scheufele wanted to bring the watchmaking process in-house and control every stage in the launch of his company’s gem-set watches. His acquisition, for a good price, of a small Swiss watch manufacturer was part of that plan. A couple of years after Piaget opened on Rue du Rhône in Geneva (in 1959), Chopard returned as a jewellery brand.

The L.U. Chopard (22., centre) featured in this 1970 edition of Europa Star. Seven years earlier, the brand had been acquired by German businessman Karl Scheufele.
The L.U. Chopard (22., centre) featured in this 1970 edition of Europa Star. Seven years earlier, the brand had been acquired by German businessman Karl Scheufele.
©Archives Europa Star

A Chopard jewellery watch with a striking design, set with amethysts (1972, 11., bottom right).
A Chopard jewellery watch with a striking design, set with amethysts (1972, 11., bottom right).
©Archives Europa Star

Karl Scheufele also continued to sell jewellery under his company name.

Karl Scheufele was among the prize-winners at the 1969 International Fine Jewellery Salon.
Karl Scheufele was among the prize-winners at the 1969 International Fine Jewellery Salon.
©Archives Europa Star

Becoming Chopard
©Archives Europa Star

The Orbis jewellery watch from 1974, in the pages of Europa Star (6., below).
The Orbis jewellery watch from 1974, in the pages of Europa Star (6., below).
©Archives Europa Star

Becoming Chopard
©Archives Europa Star

A first milestone in the newly acquired company’s history occurred in 1974. As the Swiss watch industry fell deeper into crisis, Chopard opened a production facility in Geneva-Meyrin.

In 1981 Europa Star published this profile of Chopard which at that time was producing around 18,000 jewellery watches a year, including the Happy Diamonds, at sites in Geneva and Pforzheim.
In 1981 Europa Star published this profile of Chopard which at that time was producing around 18,000 jewellery watches a year, including the Happy Diamonds, at sites in Geneva and Pforzheim.
©Archives Europa Star

Becoming Chopard
©Archives Europa Star

Becoming Chopard
©Archives Europa Star

A 1979 archive featuring Chopard.
A 1979 archive featuring Chopard.
©Archives Europa Star

Becoming Chopard
©Archives Europa Star

Sunrise pendant watch (6.), 1975 archive.
Sunrise pendant watch (6.), 1975 archive.
©Archives Europa Star

The company launched a succession of gem-set watches including, in 1976, the Happy Diamonds, named for the diamonds that float around the dial between two sapphire crystals. This future icon defined Chopard, in the public eye, as a maker of women’s jewellery watches, despite also producing models for men… in fact the Happy Diamonds was originally also a man’s watch.

The Happy Diamonds collection (2., bottom right) debuted in the 1970s as a watch and jewellery.
The Happy Diamonds collection (2., bottom right) debuted in the 1970s as a watch and jewellery.
©Archives Europa Star

The St. Moritz was Chopard's luxury sports watch for the 1980s (and would give rise to the current Alpine Eagle collection).
The St. Moritz was Chopard’s luxury sports watch for the 1980s (and would give rise to the current Alpine Eagle collection).
©Archives Europa Star

The Happy Diamonds for men (10.), 1976 archive.
The Happy Diamonds for men (10.), 1976 archive.
©Archives Europa Star

The Happy Diamonds, a Chopard classic, 1988 advertisement.
The Happy Diamonds, a Chopard classic, 1988 advertisement.
©Archives Europa Star

Another important marker was the arrival of Karl-Friedrich Scheufele and Caroline Scheufele at the head of the firm, in the early 1990s. Building on the direction taken with the Happy Diamonds collection, they developed Chopard as a watchmaker but also a jeweller, using marketing and communication to forge this new identity. When Chopard went to the Basel fair in 1997, it took with it the Fleur: the world’s most expensive watch, valued in the region of $25 million. In a similar vein, the brand became partner to the Cannes International Film Festival and since 1998 has been making the Palme d’Or, the festival’s highest distinction, at its premises in Geneva.

Celebrating the Happy Diamonds collection, that was also also available as a perfume, in Vienna, in 1988.
Celebrating the Happy Diamonds collection, that was also also available as a perfume, in Vienna, in 1988.
©Archives Europa Star

Creator of the Palme d'Or for the Cannes International Film Festival, Chopard is now a leading global brand (1998 archive).
Creator of the Palme d’Or for the Cannes International Film Festival, Chopard is now a leading global brand (1998 archive).
©Archives Europa Star

Chopard wasn’t yet producing its own movements, instead equipping its watches with quartz or mechanical calibres supplied by Swatch Group. In 1996 it opened a Manufacture in Fleurier, in the canton of Neuchâtel. A year later it began development of an in-house mechanical movement, headed by Michel Parmigiani. The brand used this L.U.C. calibre to develop its offering of men’s mechanical timepieces, at the same time strengthening its reputation as a maker of watches as well as jewellery. This would be the beginning of the Chopard we know today: a watch and jewellery brand offering a vast array of products.

The L.U.C. movement gave Chopard greater independence and the means to upgrade its production (1997 archive).
The L.U.C. movement gave Chopard greater independence and the means to upgrade its production (1997 archive).
©Archives Europa Star

A visit in 2006 to the Fleurier production site. Chopard's L.U.C. collection now includes numerous complications.
A visit in 2006 to the Fleurier production site. Chopard’s L.U.C. collection now includes numerous complications.
©Archives Europa Star

Becoming Chopard
©Archives Europa Star

The Europa Star Newsletter